TY  - JOUR
AU  - Marić-Stojanović, M.
AU  - Bajuk-Bogdanović, Danica
AU  - Uskoković-Marković, Snežana
AU  - Holclajtner-Antunović, Ivanka
PY  - 2018
UR  - https://farfar.pharmacy.bg.ac.rs/handle/123456789/3205
AB  - The Church of the Holy Mother of God Hodegetria in Pec is decorated with wall paintings that date from the beginning of the 14th century. In terms of style they correspond to Byzantine wall paintings from the epoch of Paleologos. The painting technique and pigment pallete has been examined on micro fragments in thin cross sections by means of optical microscopy (OM), scanning electron microscopy-energy dispersive X-ray spectroscopy (SEM-EDS) and micro-Raman spectroscopy. Use of the fresco technique and two supporting plaster layers was noted on the majority of samples, while in large blue painted areas, a combination of fresco and secco techniques was used. The SEM-EDS results showed the presence of Ca as the main component of plaster besides the traces of Si and Mg. In some samples egg white as a binder was identified. The paint film is often multilayered. Twelve pigments were identified, mainly natural earth pigments such as red ochre, yellow ochre and green earth. A mixture of pigments was used for attaining desirable optical and aesthetical impressions. As decay product only weddelite was detected in many preparatory and painted samples.
PB  - Pergamon-Elsevier Science Ltd, Oxford
T2  - Spectroscopy Letters
T1  - Spectroscopic analysis of XIV century wall paintings from Patriarchate of Pec Monastery, Serbia
VL  - 191
SP  - 469
EP  - 477
DO  - 10.1016/j.saa.2017.10.043
ER  - 

@article{
author = "Marić-Stojanović, M. and Bajuk-Bogdanović, Danica and Uskoković-Marković, Snežana and Holclajtner-Antunović, Ivanka",
year = "2018",
abstract = "The Church of the Holy Mother of God Hodegetria in Pec is decorated with wall paintings that date from the beginning of the 14th century. In terms of style they correspond to Byzantine wall paintings from the epoch of Paleologos. The painting technique and pigment pallete has been examined on micro fragments in thin cross sections by means of optical microscopy (OM), scanning electron microscopy-energy dispersive X-ray spectroscopy (SEM-EDS) and micro-Raman spectroscopy. Use of the fresco technique and two supporting plaster layers was noted on the majority of samples, while in large blue painted areas, a combination of fresco and secco techniques was used. The SEM-EDS results showed the presence of Ca as the main component of plaster besides the traces of Si and Mg. In some samples egg white as a binder was identified. The paint film is often multilayered. Twelve pigments were identified, mainly natural earth pigments such as red ochre, yellow ochre and green earth. A mixture of pigments was used for attaining desirable optical and aesthetical impressions. As decay product only weddelite was detected in many preparatory and painted samples.",
publisher = "Pergamon-Elsevier Science Ltd, Oxford",
journal = "Spectroscopy Letters",
title = "Spectroscopic analysis of XIV century wall paintings from Patriarchate of Pec Monastery, Serbia",
volume = "191",
pages = "469-477",
doi = "10.1016/j.saa.2017.10.043"
}

Marić-Stojanović, M., Bajuk-Bogdanović, D., Uskoković-Marković, S.,& Holclajtner-Antunović, I.. (2018). Spectroscopic analysis of XIV century wall paintings from Patriarchate of Pec Monastery, Serbia. in Spectroscopy Letters
Pergamon-Elsevier Science Ltd, Oxford., 191, 469-477.
https://doi.org/10.1016/j.saa.2017.10.043

Marić-Stojanović M, Bajuk-Bogdanović D, Uskoković-Marković S, Holclajtner-Antunović I. Spectroscopic analysis of XIV century wall paintings from Patriarchate of Pec Monastery, Serbia. in Spectroscopy Letters. 2018;191:469-477.
doi:10.1016/j.saa.2017.10.043 .

Marić-Stojanović, M., Bajuk-Bogdanović, Danica, Uskoković-Marković, Snežana, Holclajtner-Antunović, Ivanka, "Spectroscopic analysis of XIV century wall paintings from Patriarchate of Pec Monastery, Serbia" in Spectroscopy Letters, 191 (2018):469-477,
https://doi.org/10.1016/j.saa.2017.10.043 . .