Multi-analytical study of techniques and palettes of wall paintings of the monastery of Zica, Serbia
Само за регистроване кориснике
2016
Аутори
Holclajtner-Antunović, IvankaStojanović-Marić, Milica
Bajuk-Bogdanović, Danica
Zikić, Radisa
Uskoković-Marković, Snežana
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
The present multi-analytical study concentrates on establishing the painting techniques and the identity of the wall painting materials used by the artists from the 13th and 14th centuries to decorate the Zica monastery, Serbia. For this purpose, we demonstrate that micro-Raman spectroscopy is an efficient, non-destructive method with high spatial resolution which gives molecular and crystal structural information of a wide variety of both inorganic and organic materials. It is shown that elementary composition revealed through scanning electron microscopy with energy dispersive X-ray spectroscopy and energy dispersive X-ray fluorescence spectroscopy is necessary in some cases to confirm the identity of pigments and binders identified by micro-Raman spectroscopy. It was found that a fresco technique, in combination with mainly natural earth pigments such as red ochre, yellow ochre and green earth, was used. Expensive natural pigment lapis lazuli was exclusively used for obtaining blue ...colour while pure vermilion was used by the artists from the first period of decorations at the beginning of the 13th century. A mixture of pigments was used for attaining different colour shades. For the gilding of saint's haloes, thin golden foil was deposited over the tin sheet. In order to get a desirable optical and aesthetical impression, the metallic leaves were deposited over the yellow ochre preparatory layer. Deposits of gypsum on wall paintings as well as traces of weddellite are degradation products formed as a result of exposing wall paintings to environmental conditions.
Извор:
Spectroscopy Letters, 2016, 156, 78-88Издавач:
- Pergamon-Elsevier Science Ltd, Oxford
Финансирање / пројекти:
- Процеси урбанизације и развоја средњовековног друштва (RS-MESTD-Basic Research (BR or ON)-177021)
DOI: 10.1016/j.saa.2015.11.031
ISSN: 1386-1425
PubMed: 26654964
WoS: 000369201200011
Scopus: 2-s2.0-84948699156
Институција/група
PharmacyTY - JOUR AU - Holclajtner-Antunović, Ivanka AU - Stojanović-Marić, Milica AU - Bajuk-Bogdanović, Danica AU - Zikić, Radisa AU - Uskoković-Marković, Snežana PY - 2016 UR - https://farfar.pharmacy.bg.ac.rs/handle/123456789/2586 AB - The present multi-analytical study concentrates on establishing the painting techniques and the identity of the wall painting materials used by the artists from the 13th and 14th centuries to decorate the Zica monastery, Serbia. For this purpose, we demonstrate that micro-Raman spectroscopy is an efficient, non-destructive method with high spatial resolution which gives molecular and crystal structural information of a wide variety of both inorganic and organic materials. It is shown that elementary composition revealed through scanning electron microscopy with energy dispersive X-ray spectroscopy and energy dispersive X-ray fluorescence spectroscopy is necessary in some cases to confirm the identity of pigments and binders identified by micro-Raman spectroscopy. It was found that a fresco technique, in combination with mainly natural earth pigments such as red ochre, yellow ochre and green earth, was used. Expensive natural pigment lapis lazuli was exclusively used for obtaining blue colour while pure vermilion was used by the artists from the first period of decorations at the beginning of the 13th century. A mixture of pigments was used for attaining different colour shades. For the gilding of saint's haloes, thin golden foil was deposited over the tin sheet. In order to get a desirable optical and aesthetical impression, the metallic leaves were deposited over the yellow ochre preparatory layer. Deposits of gypsum on wall paintings as well as traces of weddellite are degradation products formed as a result of exposing wall paintings to environmental conditions. PB - Pergamon-Elsevier Science Ltd, Oxford T2 - Spectroscopy Letters T1 - Multi-analytical study of techniques and palettes of wall paintings of the monastery of Zica, Serbia VL - 156 SP - 78 EP - 88 DO - 10.1016/j.saa.2015.11.031 ER -
@article{ author = "Holclajtner-Antunović, Ivanka and Stojanović-Marić, Milica and Bajuk-Bogdanović, Danica and Zikić, Radisa and Uskoković-Marković, Snežana", year = "2016", abstract = "The present multi-analytical study concentrates on establishing the painting techniques and the identity of the wall painting materials used by the artists from the 13th and 14th centuries to decorate the Zica monastery, Serbia. For this purpose, we demonstrate that micro-Raman spectroscopy is an efficient, non-destructive method with high spatial resolution which gives molecular and crystal structural information of a wide variety of both inorganic and organic materials. It is shown that elementary composition revealed through scanning electron microscopy with energy dispersive X-ray spectroscopy and energy dispersive X-ray fluorescence spectroscopy is necessary in some cases to confirm the identity of pigments and binders identified by micro-Raman spectroscopy. It was found that a fresco technique, in combination with mainly natural earth pigments such as red ochre, yellow ochre and green earth, was used. Expensive natural pigment lapis lazuli was exclusively used for obtaining blue colour while pure vermilion was used by the artists from the first period of decorations at the beginning of the 13th century. A mixture of pigments was used for attaining different colour shades. For the gilding of saint's haloes, thin golden foil was deposited over the tin sheet. In order to get a desirable optical and aesthetical impression, the metallic leaves were deposited over the yellow ochre preparatory layer. Deposits of gypsum on wall paintings as well as traces of weddellite are degradation products formed as a result of exposing wall paintings to environmental conditions.", publisher = "Pergamon-Elsevier Science Ltd, Oxford", journal = "Spectroscopy Letters", title = "Multi-analytical study of techniques and palettes of wall paintings of the monastery of Zica, Serbia", volume = "156", pages = "78-88", doi = "10.1016/j.saa.2015.11.031" }
Holclajtner-Antunović, I., Stojanović-Marić, M., Bajuk-Bogdanović, D., Zikić, R.,& Uskoković-Marković, S.. (2016). Multi-analytical study of techniques and palettes of wall paintings of the monastery of Zica, Serbia. in Spectroscopy Letters Pergamon-Elsevier Science Ltd, Oxford., 156, 78-88. https://doi.org/10.1016/j.saa.2015.11.031
Holclajtner-Antunović I, Stojanović-Marić M, Bajuk-Bogdanović D, Zikić R, Uskoković-Marković S. Multi-analytical study of techniques and palettes of wall paintings of the monastery of Zica, Serbia. in Spectroscopy Letters. 2016;156:78-88. doi:10.1016/j.saa.2015.11.031 .
Holclajtner-Antunović, Ivanka, Stojanović-Marić, Milica, Bajuk-Bogdanović, Danica, Zikić, Radisa, Uskoković-Marković, Snežana, "Multi-analytical study of techniques and palettes of wall paintings of the monastery of Zica, Serbia" in Spectroscopy Letters, 156 (2016):78-88, https://doi.org/10.1016/j.saa.2015.11.031 . .